Love Crime/2010/UGC/106 min.
“Love Crime,” a splendidly suspenseful ride, just might be the late Alain Corneau’s best film. A great script, excellent actors, perfect pacing and a terrific final twist make this a must-see movie.
Sleek and savvy Christine (Kristin Scott Thomas), a powerful exec at a multinational company, seems to have a charmed existence – success, style, a glitzy social life and a gorgeous lover, Philippe (Patrick Mille). Reporting to Christine is ambitious, hard-working and eager-to-please Isabelle (Ludivine Sagnier).
Their relationship is subtle and complex – a mix of admiration and affection, rivalry and rude awakenings. Isabelle’s first jolt is when Christine takes credit for Isabelle’s work. (In corporate life, really?) Acting as a pawn in their mind games and manipulation is Philippe, one of their many male colleagues. It’s not long before barbed convo at the water cooler shifts to a malevolent life-and-death battle. (In corporate life, really?) We see that Isabelle’s methodical, meticulous approach applies to every project she tackles, at the workplace and beyond.
Corneau, who died last August at age 67, referred to the film as one of his little Fritz Lang labyrinths. “It can be summed up very simply,” he said. “After you have committed the perfect crime, of which you will definitely be suspected, how can you prove you are innocent by making yourself look guilty?”
“Love Crime” is an impeccable noir with a stark look and restrained palette from director of photography Yves Angelo. It’s also an original, insightful portrait of two characters’ identities. Corneau, aided by co-writer Natalie Carter, explored fresh terrain by focusing on female characters. “I’ve recently discovered how exciting it is to have women in leading roles,” said Corneau. “I thought, without knowing why, that it would be more spectacular if the labyrinthine plot were feminine.”
Spectacular it definitely is; and of course sad that his first foray into the inner lives of women was also his last.
And one more thing. There’s particular attention paid to Isabelle’s blonde hair. She starts out with a mane of slightly messy curls; as she climbs the corporate ladder, she taps her inner Veronica Lake for a peek-a-boo effect that’s smoothly sexy and seductive. Looking good is always key, especially when you’re up to no good.
“Love Crime” opens Sept. 2 in Los Angeles and New York.
From FNB readers