Archives for August 2012

Noir City festival returns to Chicago with darkness aplenty

The Music Box Theatre will host Noir City: Chicago.

The Film Noir Foundation’s Noir City festival returns for the fourth time to Chicago’s Music Box Theatre, from Aug. 17-23.

The FNF’s Alan K. Rode and noted writer/historian Foster Hirsch will share hosting duties. All titles are presented on the big screen in glorious 35mm prints.

This year’s lineup looks great! Highlights include:

William Castle’s “Undertow” (1949), which was shot on location in the Windy City.

Alan Ladd x 2: “The Great Gatsby” (1949, Elliot Nugent) and “This Gun for Hire” (1942, Frank Tuttle).

Jean Negulesco’s “Three Strangers” (1946) starring Geraldine Fitzgerald, Sidney Greenstreet and Peter Lorre. Screenplay by John Huston and Howard Koch.

Cornell Woolrich x 3: Noir master Robert Siodmak directs Ella Raines and Elisha Cook Jr. in “Phantom Lady” (1944). Based on a Woolrich novel. “Black Angel” (1946, Roy William Neil) More suspense from Woolrich, this time starring Dan Duryea, June Vincent, Broderick Crawford and Peter Lorre. “The Window” (1949) Ted Tetzlaff directs an adaptation of Woolrich’s “The Boy Who Cried Wolf.”

Virginia Mayo and James Cagney star in "White Heat," directed by Raoul Walsh.

Phil Karlson’s “99 River Street” (1953) Evelyn Keyes comes to the rescue when her buddy John Payne, a washed-up boxer, is framed for the murder of his wife.

Robert Ryan x 2: “Caught” (Max Ophuls, 1949) and “On Dangerous Ground” (Nicholas Ray, 1952).

Kiss Me Deadly” (1955, Robert Aldrich) Screenwriter A. I. Bezzerides adapted Mickey Spillane’s detective novel to create this film noir classic. Ralph Meeker stars.

White Heat” (1949, Raoul Walsh) James Cagney is unforgettable in one of noir’s greatest roles, outlaw and killer Cody Jarrett. The superb cast also includes Edmond O’Brien, Virginia Mayo, Steve Cochran and Margaret Wycherly as the bad-ass mama at the core of it all.

Also, be sure to check out the FNF’s Marsha Hunt interview. The actress joined Eddie Muller and Alan K. Rode at the 14th annual Noir City: Hollywood for a rare screening of “Mary Ryan, Detective” (1950, Abby Berlin). Hunt discussed her work with Fred Zinnemann, Jules Dassin, Orson Welles and others. I watched the event live and it’s terrific – it’s hard to believe she is 94! You can watch the interview at the FNF Video Archives.

Free stuff from FNB: Win Humphrey Bogart gangster films set

RA Kerr won the reader-giveaway prize for June/July: the Warner Home Video/Turner Classic Movies Greatest Classic Legends: Humphrey Bogart set, which contains “They Drive by Night” and three other titles.

In August, I am giving away the WHV/TCM Greatest Gangster Films: Humphrey Bogart set, featuring “High Sierra,” “The Petrified Forest,” “The Amazing Dr. Clitterhouse” and “All Through the Night.” I will run a review of “High Sierra” in August. The set is listed at $28. Here’s more info on the gangster movies.

To enter this month’s giveaway, for the Bogart gangster films set, just leave a comment on any FNB post from Aug. 1-31. We welcome comments, but please remember that, for the purposes of the giveaway, there is one entry per person, not per comment.

The August winner will be randomly selected at the end of the month and announced in early September. Include your email address in your comment so that I can notify you if you win. Your email will not be shared. Good luck!

The Noir File: Monroe, Welles, Heflin and more

By Michael Wilmington

A noir-lover’s guide to classic film noir on cable TV. All the movies listed below are from the current schedule of Turner Classic Movies (TCM), which broadcasts them uncut and uninterrupted. The times are Eastern Standard and (Pacific Standard).

CO-PICKS OF THE WEEK: “The Asphalt Jungle” and “The Lady from Shanghai”

“The Asphalt Jungle” has a near-perfect cast.

The Asphalt Jungle
(1950, John Huston)
Saturday, Aug. 4. at 6 a.m. (3 a.m.): Huston’s classic heist movie, scripted by Ben Maddow from W. R. Burnett’s novel, has a near-perfect cast: Sterling Hayden (the muscle), Jean Hagen (the moll), Sam Jaffe (the brains), James Whitmore (the lookout), Anthony Caruso (the safe man), Marc Lawrence (the backer), Brad Dexter (the torpedo), John McIntire (the cop), Louis Calhern (the double-crosser) and Marilyn Monroe (the mistress). One of Jean-Pierre Melville’s three favorite films.

The Lady from Shanghai” (1948, Orson Welles)Wednesday, Aug. 8. at 10:45 a.m. (7:45 a.m.): Adventurer/sailor Welles gingerly woos a very blonde Rita Hayworth, wife of the wealthy, evil Frisco lawyer Everett Sloane, and victim of Glenn Anders as the very weird George Grisby. A flop in its day, now considered one of the greatest noirs and a Welles masterpiece. The highlights include an amazingly crooked trial scene and the wild chase and shoot-out in a hall of mirrors.

Richard Allan plays Marilyn’s lover in “Niagara.”

Sat., Aug. 4: Marilyn Monroe Day

8 a.m. (5 a.m.): “Clash by Night” (1952, Fritz Lang) Lang’s cool, underrated adaptation of Clifford Odets’ smoldering play. With Barbara Stanwyck, Robert Ryan, Paul Douglas and Monroe.

10 a.m. (7 a.m.): “Niagara” (1953, Henry Hathaway) One of Monroe’s sexiest roles was as the faithless wife of tormented Joseph Cotten, the two 0f them trapped together in a cabin at Niagara Falls. Jean Peters is the good wife next-door.

8 p.m. (5 p.m.): “Some Like It Hot” (1959, Billy Wilder) Tony Curtis and Jack Lemmon, two dance-band musicians in drag, flee the Chicago mob and George Raft after witnessing The St. Valentine’s Day Massacre; Monroe is waiting for them aboard the Miami train. Only part film noir – the rest is gangster movie parody and screwball comedy – but noir can be proud to claim even a portion of the greatest American sound comedy. [Read more…]

‘Killer Joe’ borders on bipolar, despite a riveting performance from Matthew McConaughey

Killer Joe/2011/LD Entertainment/103 min.

The words “TEXAS REDNECK” jump off the poster for “Killer Joe,” William Friedkin’s neo noir/Southern Gothic black comedy written by playwright Tracy Letts and starring Matthew McConaughey as a hitman who’s also a cop.

The rednecks are the Smiths, a Southern family for whom sleaze and greed have long replaced Sunday grace. In the opening scene, Sharla (Gina Gershon) gets out of bed and answers the door; her stepson Chris (Emile Hirsch) is outside, rain drenched, having been kicked out of his place by his girlfriend. Does Sharla bother to throw on clothes before opening the door? Hell, no. This ain’t no Ritz Hotel after all.

Turns out, Chris is a drug dealer with a debt and needs cash fast. His solution is to murder his mother (mostly unseen in the movie) and cash in on her insurance policy. No one’s really that fond of the mother so the rest of the family – stepmom Sharla, Chris’ remarried father Ansel (Thomas Haden Church) and his sister Dottie (Juno Temple) – are all on board with his plan. They’re not the sharpest tools in the shed, but they know a job like this has to be done right so they hire a pro named Killer Joe (McConaughey). Need I say, things don’t go to plan?

On the plus side, “Killer Joe” is well shot, well directed and well acted – McConaughey is especially magnetic, outlining the character’s chilling darkness and letting us fill in the blanks. On the minus side, though, “Killer Joe” never feels like much of a noir or much of a comedy. The mood shifts border on the bipolar, culminating in a resolution that may have worked on stage but seems laughable (in a bad way) on film, not to mention ridiculously violent. By that time, though, we are nothing if not primed for blood to be shed.

This marks the second collaboration for Friedkin and Letts – their first was 2006’s “Bug” based on Letts’ play. The Chicago-based playwright’s other work includes the Pulitzer-prize winning “August: Osage County” (the movie version is set to start filming in September) as well as “Superior Donuts” and “Three Sisters.”

Given the talent that came together for “Killer Joe,” was I wrong to hope for meatier fare? Though tempting on the outside, this ain’t the blood-red burger I wanted on my plate.

“Killer Joe” opens today in LA.

Doc depicts an artist’s fight for free speech in China

Ai Weiwei: Never Sorry/2012/Sundance Selects, IFC Films/91 min.

“Ai Weiwei: Never Sorry” is, on one level, a study in inspiration – what motivates artists and how they spark ideas in other people. A case in point: the serendipitous meeting of first-time filmmaker Alison Klayman and her subject: Ai Weiwei, 55, China’s most celebrated contemporary artist, a political dissident and a grass-roots hero who gained the support of millions with his blog posts and tweets.

Klayman, a young American journalist working in Beijing, stumbled onto the story when her roommate asked her if she’d be interested in making a video of Ai Weiwei’s photographs at a local gallery. “So many of the inherent tensions in modern China were in his story. He’s a perfect bellwether,” said Klayman at a recent press conference, adding that she aimed to represent the diversity of opinion that exists there in addition to introducing people to Ai Weiwei and getting them interested in his case.

Ai Weiwei’s critiques of China’s repressive regime range from photographs of his raised middle finger in front of Tiananmen Square to memorials of the more than 5,000 schoolchildren who died in allegedly shoddy government construction in the 2008 Sichuan earthquake. He rose to international prominence in 2008 after helping design Beijing’s iconic Bird’s Nest Olympic Stadium; afterward he publicly denounced the games as party propaganda.

In the years she filmed (end of 2008-2011), government authorities shut down his blog, beat him up, bulldozed his newly built studio and held him in secret detention. In July 2012, he lost his appeal in his tax case; a court in Beijing upheld a $2.4 million fine for tax evasion. Supporters of the artist believe the fine is an attempt by Chinese officials to penalize him for his political activism. “The truth is things are getting worse,” says Klayman. “There is less space for dissent.”

Klayman creates a compelling, textured picture of a fascinating subject, whose personality seems equal parts deadpan and dogged. She shows us shards of his public and private life, glimpses of his contradictions and flaws as well as his determination. Fundamentally, it’s a film about individual courage and expression, and using your voice, Klayman says. “The take-away message is how to be an engaged citizen.”

“Ai Weiwei: Never Sorry” opens today in LA.

Honey, your August noir horoscope is here …

Fate reigns supreme in film noir, but that doesn’t mean we don’t love us some zodiac fun. Hope your August is full of spicy mystery and sultry sideways glances. And happy birthday, Leo and Virgo! A special shout-out and remembrances to legendary Leos John Huston (Aug. 5), Lucille Ball and Robert Mitchum (both Aug. 6), Alfred Hitchcock (Aug. 13), Alma Hitchcock (Aug. 14), Ann Blyth (Aug. 16), Robert DeNiro and Sean Penn (both Aug. 17), Coco Chanel Aug. 19, and one-of-a-kind Virgos Elliott Gould and Ingrid Bergman (both Aug. 29).

Lucille Ball: Aug. 6, 1911 – April 26, 1989

Leo (July 24-August 23): In anticipation of your birthday – perhaps a milestone – you’ve been assessing, analyzing and reflecting. Now it’s time to just be. Oh, and open presents, eat cake and drink champagne. If you’re worried about getting older, reinvest that energy into something productive. As the comedy genius Lucille Ball put it: “The secret of staying young is to live honestly, eat slowly and lie about your age.” Toward the end of the month, you’ll gain clarity about your career direction.

Virgo (August 24-September 23): There are certain inalienable rights of the femme fatale: sleeping in, owning too much lip gloss and refusing to diet. Stand your ground if someone in your inner circle disagrees with your stance on these issues. Besides, with your knack for diplomacy and tact, you’ll soon be preaching to the converted. Meanwhile, prepare to pace yourself as birthday-party invites pop up. You’ll be much in demand. Make time to savor summer pleasures – as a result, romance may find you. Choose your battles on the 25th.

Libra (September 24-October 23): You may feel that you’re butting your head against the wall on the career front as a project drags on or a job-search seems to stall. “Why isn’t Easy Street showing up on my GPS?” you ask. Here’s why: Things usually come to you so effortlessly that it’s a bit of a shock to realize you may need to hunker down and persevere to attain your goal. Horrid-sounding, I know. Don’t fret, though, it won’t come to the point of actually getting your hands dirty and chipping your nail polish. Just go with the flow. And, as a happy distraction, your love life heats up, especially midmonth.

Robert Mitchum: Aug. 6, 1917 – July 1, 1997

Scorpio (October 24-November 22): A chance meeting spurs you to take action on an important issue. (Of course, in noir, is anything really left to chance?) You will make the best choice possible. Your flair for stylish living comes in handy when a friend has wonderful news to celebrate – perhaps an old-school Hollywood soirée is in order? Even more than usual, you will be admired and adored on the weekend of the 20th. Make a point of managing expectations at work.

Sagittarius (November 23-December 22): According to Vogue’s Book of Etiquette, 1948, “It has been estimated that young girls, no matter how seriously they have been working, spend at least half their free time thinking about men. And how right they are! A job may not last a lifetime, but it is always to be hoped that a marriage will. What could be more important or more worthy of the deepest concentration?” So, go on, give in to romance and dwell on passion this month. Obsess all you want to about the object of your affection. Live in the moment and don’t give a hoot about the future or the past.

Capricorn (December 23-January 20): You’ve had a lot on your mind this summer but difficulties and worries will start to dissolve around the 12th. This means you can cut yourself some slack; enjoy a few lazy days and languid nights. You can also focus on key priorities like looking good and letting yourself be admired. Meanwhile, helping a friend with a communications project brings welcome attention your way. Don’t do anything you don’t feel like doing on the 2nd, 7th, 11th, 14th, 17th, 20th, 21st … you get the idea.

Robert De Niro was born Aug. 17, 1943.

Aquarius (January 21-February 19): Calculating risks and then taking them are the first order of business this month. Could be something little, like revealing a detail of your past to a new friend or love interest. Or it could be something major, like planning a move to a new locale where no one knows your alias and your mugshot isn’t on file. Either way, change is good. Around the 12th, you may feel that you’re looking for a needle in a haystack. If so, get the hell out of the hay field, head for the city and get yourself a cocktail, pronto!

Pisces (February 20-March 20): You may be running hot and cold about a person in your life or a place where you spend a lot of time. To gain fresh perspective, make a getaway and spend some time alone: an extra-long massage, a day at a spa or a weekend retreat on bewitchment. We all need time to ponder, and more importantly primp, in solitude. You may get some exciting news on the work front and be asked to share your novel approach. A little mayhem isn’t a bad thing on the 13th – in fact it might help clear the air.

Aries (March 21-April 20): An intriguing mystery comes your way around the 14th. It may speak to your inner private detective but would searching for clues entail getting off the sofa or cutting down on the time you spend on catnaps? In other words, before you devote a ton of energy to a potential time-suck, assess what’s in it for you and whether it’s really worth your time. If you’re not into it, don’t feel guilty about turning down the job. Enjoy the power of saying no; it’s more than a little addictive. Your love life really heats up around the 8th and again at month’s end. Enjoy the power of saying yes; it’s more than a little amusing.

Ingrid Bergman: Aug. 29, 1915 – Aug. 30, 1982

Taurus (April 21-May 21): Polishing your résumé is always a good idea; you never know when the perfect job may pop up. Meanwhile, about that yearning to be your own boss: draft a business plan, even if it’s highly preliminary. Then devote a few hours each week to researching sources of funding. It may be a long journey but at least you’ve taken the first step. On the 8th, recognizing the absurdity of an ongoing situation brings fresh insight. Midmonth, some shameless flirting leads to a delicious little adventure.

Gemini (May 22-June 21): A request from a client or colleague that at first seems a chore in fact reveals one of your hidden talents. When you enjoy something, you rock results. Meanwhile, realize that while you are often quite content as a self-contained little island, it’s probably a good idea to reaching out to others and be the initiator on the social front. You live to be inquisitive, after all, so this will ensure you have plenty of people to pepper with questions. Let loose on the 6th and set the tone for the whole month. Shrug off self-doubt on the work front.

Cancer (June 22-July 23): Attention to detail. Striving for quality. Patience. Having an old-school attitude toward your work may sometimes make you feel like you’re going against the grain in an age where many people don’t seem to be able to read an entire text message. So what? The grain is highly overrated and your commitment to producing fine, thoughtful work will serve you well in the long run. Around midmonth, your Sig Oth may be getting on your nerves just a tad – perhaps he forgot to cut the crust off your sandwich or overbuttered your toast? Let it slide. It may take him a lifetime to learn how to wait on you properly.