‘The Haunting’ marks 50 years with screening in Westwood

The Haunting posterCelebrating its 50th anniversary, “The Haunting” will screen at 7 p.m. Tuesday, Oct. 29, at the Regent Theatre in Westwood.

Dr. John Markway (Richard Johnson) is psyched to spend a few weeks at a 19th Century New England mansion – need I say haunted? – in order to study its creepiness. As you might suspect, things don’t go to plan. Also starring Julie Harris, Claire Bloom and Russ Tamblyn, who will attend Tuesday’s screening as a special guest. The evening is also a chance to pay tribute to Julie Harris, who died this summer.

At the time of its release, critic Judith Crist called the film “a thoroughly satisfying ghost story for grownups … completely contemporary in its psychological overtones and implications.”

Nelson Gidding wrote the script based on a Shirley Jackson novel; Robert Wise directs. Jan de Bont remade “The Haunting” in 1999, starring Liam Neeson, Catherine Zeta-Jones, Lili Taylor and Owen Wilson.

You can buy tickets here.

Moving, intimate ‘Blue’ delivers on its prizewinner promise

Blue posterBlue Is the Warmest Color/2013/Sundance Selects/179 min.

I’m going to start with a sort of Spoiler Alert: “Blue Is the Warmest Color” is not a neo-noir, not even close. But I was curious about the movie because it created quite a buzz at this year’s Cannes Film Festival and snared the top prize there, the Palme d’Or.

Directed by Abdellatif Kechiche, “Blue” is a coming of age/love story that follows a teenager named Adèle (Adèle Exarchopoulos) as she navigates a brief affair with a boy and a lengthy intimate relationship with an older woman Emma (Léa Seydoux). Adèle also finishes school, finds a job as a teacher, makes mighty platters of pasta and sheds a lot of tears. In other words, it’s a richly detailed character study and an intense, unhurried exploration of a charming but ordinary woman’s everyday life. One day ends, another starts.

At nearly three hours long and containing rather graphic sex scenes, this is perhaps not the movie to go to with Aunt Ginger. I was a bit on the fence about it myself. But, happily, “Blue” never dragged or felt gratuitous, tasteless or solipsistic. What made it so engrossing for me was the sublimely naturalistic performances from everyone in the cast and a story that, while sometimes mundane, is also largely devoid of clichés. Moving and memorable, “Blue” delivers on its prizewinner promise.

“Blue Is the Warmest Color” opens today in LA and New York. In French with English subtitles.

American Film Institute announces festival lineup

Cleo

“Cleo from 5 to 7” stars Corinne Marchand.

We at FNB are thrilled to be attending the AFI Fest 2013 presented by Audi. The fest runs Nov. 7-14 in Hollywood.

Organizers recently announced the schedule: http://afifest.afi.com/sections. Among the highlights: Agnès Varda is guest artistic director and her 1962 film “Cleo from 5 to 7” will screen at the fest. (There will be a conversation with Varda beforehand.)

Prescription for retro glamour: A look back at Schwab’s

Sunset b & wHeading to the West Hollywood Rite-Aid to do a little schmoozing? Not bloody likely. But, in Tinseltown’s golden age, Schwab’s Pharmacy, at 8024 Sunset Blvd., ranked as one of the city’s top spots to meet, greet, mix and mingle.

A program Saturday at the Egyptian Theatre highlighted the pivotal role Schwab’s played in Hollywood networking from the 1930s to the 1960s. Teacher/history buff Marc Chevalier delivered a photo-driven presentation, followed by a short that was filmed at Schwab’s to promote a 1946 bio-pic, “The Jolson Story,” and the exquisite movie “Sunset Blvd.” (1950, Billy Wilder), which features the drugstore in a key scene.

Chevalier started his talk with a cherchez la femme angle. The property – on the south side of Sunset Boulevard, between Laurel Avenue and Crescent Heights – first belonged to Dr. George E. Paddleford and his wife, Genevieve McKinney Toomey Teal Paddleford, a “international adventuress and love pirate,” with a string of duped husbands.

The Sunset Medical Building complex opened its doors in 1931.

The Sunset Medical Building in the 1930s. Schwab’s was to the right of the window awning (far right).

The Paddlefords owned lots 1, 2 and 29 of the Crescent Heights tract and built a mansion on lot 2. Fond of giving Dr. Paddleford’s expensive cuff links and other valuable belongings to her lovers, Genevieve drew her husband’s ire and the couple divorced around 1920. She left for Europe where she continued to live the high life, charm men, court scandal, oh and steal stuff from Ritz-Carlton hotels.

Dr. Paddleford (an associate of oil magnate Edward L. Doheny) sold the property and in 1931 architects Alvan Norstrom and Milton Anderson designed the Sunset Medical Building for developers C.H. Thomsen and W.L. Easley. The year before, for the same developers, Norstrom and Anderson designed a building directly across the street. It’s in use today as the Laugh Factory and Greenblatt’s Deli.

Schwab’s was a place to see and be seen.

Schwab’s was a place to see and be seen.

Despite the prosaic name (it became known as the Crescent Heights Shopping Center and later simply “The Corner”), the new building turned out to be a modern-day palace. Its front and side facades were clad in dark tan marble from Southern France and trimmed in rosso levanto Italian marble. (At the time, the only other commercial structure in Los Angeles that boasted so much marble was downtown’s Merritt Building from 1915.) Inside The Corner, rooms were paneled and floored in mahogany; some had terrazzo marble floors. Doctors’ and dentists’ offices were on the second level. A covered-bridge walkway allowed patients to cross from one wing to another. The back court had a 30-space parking lot.

Nearby was the Spanish-Moorish style Garden of Allah apartment complex, originally owned by actress Alla Nazimova in 1919; the Garden was torn down in 1959. Many residents from this chic residence supported businesses at The Corner.

F. Scott Fitzgerald was among the notable residents at the Garden of Allah.

F. Scott Fitzgerald was among the notable residents at the Garden of Allah.

Norstrom and Anderson’s marble stunner housed several merchants on the ground floor, including Richard Talmadge, former actor and stuntman for Douglas Fairbanks, who ran a flower shop, and the owner of the Crescent Heights Market, Ben Ruben, known for insulting his customers at no extra charge. Howard Hughes treated his girlfriends to makeovers at the beauty salon.

In 1932, the Schwab brothers (Bernard, Leon, Jack and Martin) took over a failing drugstore in the complex; they would eventually own six pharmacies. But Schwab’s on Sunset wasn’t just a place to drop off a prescription or buy toiletries. Open from 7 a.m. to midnight, the gathering spot served meals as well as soda-fountain drinks. The store had five phone booths and frequently offered automatic credit. Customers could also buy high-end liquor, tobacco, chocolate, perfume and cosmetics. There was no charge for deliveries.

Billy Wilder filmed the Schwab’s  scene at Paramount.

Billy Wilder filmed the Schwab’s scene at Paramount.

In the movie “Sunset Blvd.,” William Holden’s character, a struggling screenwriter named Joe Gillis, tells us the pharmacy is his headquarters, explaining: “That’s the way a lot of us think about Schwab’s. Kind of a combination office, coffee klatch and waiting room. Waiting, waiting for the gravy train.” (Though it would seem the ideal location shoot, Wilder had the interior recreated and filmed on a Paramount lot.)

Arguably, what made Schwab’s the place to network and nosh was the fact that journalist/actor/producer Sidney Skolsky wrote his Photoplay column “From a Stool at Schwab’s” in a second-floor office, by arrangement with the Schwab family.

Sidney Skolsky and Marilyn Monroe attend an industry function.

Sidney Skolsky and Marilyn Monroe attend an industry function.

Among Skolsky’s many talents was a knack for nicknames and he dubbed the drugstore Schwabadero’s, an allusion to the Trocadero nightclub down the street. (Even more famously, in 1934, he was the first journalist to write a story using Oscar to refer to the Academy Award.) As a producer on the 1946 movie “The Jolson Story,” it was Skolsky’s idea to shoot the after-party at Schwab’s and use the footage as a publicity short.

Robert Mitchum, Clark Gable, F. Scott Fitzgerald, Mickey Cohen, Gloria Swanson, Judy Garland, the Marx Brothers, Cesar Romero and Shelley Winters were regular Schwabadero’s customers. Marilyn Monroe, another loyal patron, reportedly left messages for Skolsky, under the name Miss Caswell. Charlie Chaplin and Ava Gardner stopped in and made their own milkshakes.

Though it’s widely thought that Lana Turner was discovered sipping a soda at Schwab’s, in fact it was at the Top Hat malt shop, several blocks east on Sunset, that in 1937, at age 16, she attracted the attention of Hollywood Reporter publisher William Wilkerson.

Debunking the myth: Lana Turner was discovered at a malt shop down the street from Schwab’s.

Lana Turner was discovered at a malt shop down the street from Schwab’s.

By the time Schwab’s had its closeup in “Sunset Blvd.,” Russian immigrant/Beverly Hills businessman Martin Belousoff owned the property. In 1949, Googie’s coffee shop, designed by architect John Lautner in Space Age/midcentury modern style, was built nearby and served customers such as James Dean, Marlon Brando and beat-generation poets. (Googie’s lasted until 1989.)

Compared with Googie’s, Schwab’s looked passé and in 1955 Belousoff decided to remodel inside and out, commissioning architects Louis Armet and Eldon Davis for the job. But not long after Schwab’s updated, new Sunset Strip venues were opening up and gaining popularity with aspiring stars and ’60s hipsters.

Schwab’s, which had been in business for 50 years and earned worldwide fame as a Hollywood hive of activity, closed its doors in 1983 and was torn down in 1988. But it remains Hollyood’s most famous drugstore – a legendary place to sip sodas, schmooze, spot stars and, like many a prospective Lana Turner, strut your stuff.

Schwab's was open from 7 a.m. to midnight.

Schwab’s was open from 7 a.m. to midnight.

Hollywood Dogs highlighted in well heeled new book

There’s a photospread in Vanity Fair on a new book from ACC Editions called Hollywood Dogs: Photographs from the John Kobal Foundation. Looks like a fun book.

Snuffy, Frank Sinatra’s four-legged co-star in the 1957 musical “Pal Joey,” reportedly aced his audition. Asked to eat a bagel off a plate, the Cairn terrier took it in his mouth, dipped it in some soup, and ate the soggy part.

Also shown here: Marilyn Monroe and her Maltese, whom she named Mafia (the dog was a gift from Sinatra), and Grace Kelly with her Weimaraner.

VF Dogs Sinatra

VF Dogs Monroe

VF Dogs Kelly

‘Noirhouse’ short comedy series launches online

NoirhouseA hard-boiled detective, sultry femme fatale, and a sentimental Russian thug share a house in present-day suburbia. They would have killed one another already, but the dead don’t pay the rent. That’s the premise of “Noirhouse,” a new film-noir comedy series from Tim Logan, Nathan Spencer and Shaun Wilson. It was produced in Tasmania, Australia, and funded by Screen Tasmania, a government agency.

“Noirhouse” launched online with three short episodes you can watch here: http://noirhouse.com/watch/episode1/. Enjoy!

Film noir events crowd the calendar this month

There is much to entice noiristas this month in Los Angeles and elsewhere. So much, in fact, that I’ve compiled this handy list.

Glenn Ford and Gloria Grahame star in "The Big Heat."

Glenn Ford and Gloria Grahame star in “The Big Heat.”

Tues., Oct. 8 @ 1 p.m.: “The Big Heat” (1953, Fritz Lang) plays on the big screen at the Bing Theater, Los Angeles County Museum of Art (LACMA), 5905 Wilshire Blvd., Los Angeles, CA 90036.

Additionally, “The Golden Age of Mexican Cinema,” featuring the work of cinematographer Gabriel Figueroa, runs at LACMA through Oct. 11. “Luis Buñuel and Gabriel Figueroa: A Surreal Alliance” runs Oct. 12-19.

Wed., Oct. 9 @ 7:30 p.m.: Writers Bloc hosts a conversation with Valerie Plame, memoir author and former CIA Operations Officer. At the Ann and Jerry Moss Theater at New Roads School, 3131 Olympic Blvd., Santa Monica, CA 90404.

Also starting Oct. 9: The Aero and Egyptian theaters host the inaugural Beyond Fest, “an international buffet of badass cinema” that showcases recent horror gems along with classics. In-person guests, live music. Beyond Fest runs through Oct. 31.

Thurs., Oct. 10: The 49th Chicago International Film Festival opens with a gala screening of “The Immigrant.” This year’s fest is dedicated to the late great Roger Ebert. The CIFF runs through Oct. 24. The fest’s After Dark slate of titles never fails to intrigue.

"Sunset Blvd." will screen Oct. 19.

“Sunset Blvd.” will screen Oct. 19 at the Egyptian Theatre in Hollywood.

Sat., Oct. 12 @ 6 p.m.: Redcat in downtown LA hosts a panel discussion on the controversial French filmmaker Henri-Georges Clouzot and his contribution to 1960s aesthetics. Screening of “La Vérité” (1960 Oscar nominee and Golden Globe winner for Best Foreign Language Film).

Sat., Oct. 12 & Sun. Oct. 13: The Vintage Fashion Expo premieres at its new home in Los Angeles at The LA Convention Center.

Thurs., Oct. 17 @ 7:30 p.m.: Writers Bloc hosts a conversation with Norwegian author Jo Nesbø (“Headhunters”) whose new novel is Police: A Harry Hole Novel. At the Goethe-Institut, 5750 Wilshire Blvd., Los Angeles, CA 90036.

“Moonrise” plays Oct. 21 at the Billy Wilder Theater at UCLA in Westwood.

“Moonrise” plays Oct. 21 at the Billy Wilder Theater at UCLA in Westwood.

Sat., Oct. 19 @ 2 p.m.: Illustrated presentation on “The Corner” and screening of “Sunset Blvd.” (1950, Billy Wilder) at the Egyptian Theatre (part of the Egyptian’s 91st anniversary weekend). Los Angeles historian Marc Chevalier will discuss the social nexus of Hollywood in the golden age: Sunset Boulevard and Crescent Heights (now West Hollywood). Followed by “Sunset Blvd.,” which features Schwab’s Pharmacy as a location.

Mon., Oct. 21 @ 7:30 p.m.: “Moonrise” (1948, Frank Borzage) at the Billy Wilder Theater at UCLA in Westwood. A luminous and rarely screened crime drama starring Dane Clark, Gail Russell and Ethel Barrymore.

Tues., Oct. 22 @ 1 p.m.: “Shockproof” (1949, Douglas Sirk) plays at LACMA’s Bing Theater. Written by Helen Deutsch and Samuel Fuller; starring Cornel Wilde and Patricia Knight.

Alfred Hitchcock by the numbers

This terrific chart appeared in The Guardian in August; copyright Adam Frost and Zhenia Vasilev.

hitch_10 copy4

Coco Chanel’s back story reveals drama, determination

Coco Chanel’s design aesthetic was partly influenced by the time she spent in the Aubazine convent in central France.

Coco Chanel’s design aesthetic was partly influenced by the time she spent in the Aubazine convent in central France.

Sure, this chic mini-film is a commercial for the mighty brand, but it’s fascinating to consider Gabrielle “Coco” Chanel (Aug. 19, 1883 – Jan. 10, 1971) and her rise from poverty to power.

Meanwhile, showing tonight on TCM: “Double Indemnity” (at 7 p.m. EST), “Gun Crazy” and “The Big Sleep.”

Film noir poster bliss with actress Jeanne Carmen

A few weeks ago, I posted about Jeanne Carmen, a pin-up model, ace golfer, B-movie actress and friend of Marilyn Monroe. Jeanne’s son Brandon James has kindly shared these images from her work in film noir and in the Western genre. She appears on posters for all three movies.

Portland posterPortland Exposé” (1957, Harold D. Schuster) based on a true story of a mob syndicate in Portland, Ore. You can watch scenes from the movie here.

Guns poster US

Guns poster BrazilGuns Don’t Argue” (1957, Richard C. Kahn, Bill Karn) was a compilation of a 1952 TV series released as a feature film. It’s true crime anthology of Pretty Boy Floyd, John Dillinger, Ma Barker and Bonnie & Clyde. In it, we see Jeanne Carmen as Floyd’s moll. You can watch scenes from the movie here.

Outlaws poster US

Outlaws poster Italy“The Three Outlaws” (1956, Sam Newfield) tells the story of Butch Cassidy and the Sundance Kid. Jeanne Carmen plays a temptress named Polimita. You can watch scenes from the movie here and here.
Monster posterAnd how could I resist running what is perhaps Jeanne Carmen’s most famous movie, “The Monster of Piedras Blancas” (1959, Irvin Berwick).