Lighthouse Café’s jazz brunch brightens Sunday mornings

Femmes fatales are naturally nocturnal and enjoy night-time carousing almost as much as they love spending a hefty pile of cold, hard cash. But there are exceptions to that rule.

For example, the Sunday jazz brunch at the Lighthouse Café in Hermosa Beach provides plenty of reasons to be up early-ish on a weekend morning. The event, which runs from 10 am to 2 pm, features classic songs (think Cole Porter, Irving Berlin, George and Ira Gershwin) and attracts first-rate performers, such as vocalist Lia Booth and guitarist Miles Jensen.

Vocalist Lia Booth and guitarist Miles Jensen help the audience mellow out with excellent music.

Sporting Bettie Page bangs and retro specs, classically trained Booth makes each song her own with singular phrasing and Jensen gives a lithe grace to every chord he plays. Most of the songs are audience requests and patrons are encouraged to try to stump the versatile chanteuse.

While jotting down your requests, you can nosh on great brunch fare. Treat yourself to the irresistibly decadent fry up (eggs, hashbrowns, bacon, sausage and toast) or the more demure yogurt and fresh fruit. The raspberry daiquiri pairs remarkably well with both, or go for a savory note and sip a classic Bloody Mary.

If these walls could scat … jazz artists have played here since the place opened in 1949.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

To be sure, performers Booth and Jensen follow in some mighty big footsteps. The Lighthouse Café celebrated its 75th anniversary this summer and has long been known as a ballast of bebop and a hot spot for cool jazz, showcasing legendary musicians like Dizzy Gillespie, Miles Davis and Chet Baker.

In the early days, bassist/band leader/club manager Howard Rumsey put together a house band called the Lighthouse All-Stars, frequently playing with guest musicians. Many artists recorded at the café as well.

Current owner Josh Royal recently told the Daily Breeze he aims to keep the old-school vibe and maintain the café as a live music venue. Besides the brunch, the café hosts a jazz jam session on Monday nights. Royal and his partners took over in 2021. Previously, Paul Hennessey had owned the place for about 40 years.

The neon sign is a nod to the 2016 movie, “La La Land” and its iconic scenes that were shot at the Lighthouse café.

And Musicians aren’t the only ones who are drawn to the historic café. The Lighthouse earned a cinematic claim to fame when it was selected as a location for “La La Land” (2016, Damien Chazelle), starring Emma Stone and Ryan Gosling (pictured below), which won the best Picture Oscar in 2017. Filming took place over four days in late summer, 2015. There is a neon sign that pays tribute to the popular flick; it reads: “Here’s to the fools who dream.”

Ryan Gosling won the Best Actor Oscar for his role in “La La Land.”

 

 

 

 

 

 

 

 

 

 

 

 

Both interior and exterior scenes in “La La Land” were filmed at the café.

Vocalist Lia Booth and guitarist Miles Jensen will play on Sunday, Sept. 15, from 10 am to 2 pm. The Lighthouse Café is located at 30 Pier Ave., Hermosa Beach, CA 90254. Ryan Gosling may or may not be in attendance.

‘Whiplash,’ by writer/director Damien Chazelle, works on many levels, including as a neo-noir tale of obsession

Whiplash posterStrictly speaking, “Whiplash,” about a jazz student going to crazy lengths to please his maniacal teacher, is a drama. But unstrictly speaking, “Whiplash” counts as neo-noir.

How so? Shot in LA (in 19 days) but set in New York City, the urban landscape has a stark, unforgiving, slightly menacing vibe. Andrew, the sensitive but determined student (Miles Teller) at an elite fictional music conservatory, steers his passion into obsession, blood dripping from his fingers, as he determines to be the world’s greatest jazz drummer, à la Buddy Rich.

Andrew shuns his ever-supportive father (Paul Reiser) and, perhaps thinking he’s in charge of his destiny, he stubs out his nascent romance with a lonely movie usher/Fordham student named Nicole (Melissa Benoist) feeling that it’s only a matter of time before he will resent her.

Andrew meets his match in the form of the tyrannical, abusive teacher Fletcher (J.K. Simmons), always dressed in black with immaculate posture and a perfectly shined bald head, who believes that verbal whippings and public humiliation will push his musicians into the realm of greatness.

Most noirishly, as the story unspools, there are subtle signs that we somehow, without knowing quite when or how, have left reality behind and are stranded in a dream-world of desperation, angst and paranoia. The dramatic lighting and tense pacing also contribute to the edgy, one-foot-in-hell mood. Cleverly, though, the story ends on a high note – a triumph of Andrew’s talent and perseverance.

“Whiplash,” written and directed by Damien Chazelle, is one of my favorite films this year. Chazelle is both imaginative and precise in his storytelling; the Harvard University grad clearly knows what’s like to navigate a path at a competitive, elite institution. And he clearly knows jazz – in fact, both he and Teller play the drums. “Whiplash” also functions as an homage to the art form.

To me, though, Chazelle’s greatest accomplishments are the memorable, moving performances from the entire cast, especially Teller, looking a bit pudgier and pastier than usual, as he goes from schlubby to super-focused, and Simmons as the quietly rageful, ready-to-pounce sadist.

Kill the Messenger poster“Whiplash” opens today in theaters.

ALSO OPENING TODAY:

The Judge,” directed by David Dobkin. Compelling performances from a great cast (Robert Downey Jr., Robert Duvall, Vera Farmiga, Billy Bob Thornton), but the bloated, overlong script weighs this court-room drama/father-son story down. Way down.

And still on my list to see: “Kill the Messenger” is a conspiracy thriller directed by Michael Cuesta and starring Jeremy Renner about drug smugglers with links to CIA. Based on true story of Pulitzer Prize-winning journalist Gary Webb.

Also: “Addicted,” a story of adultery, directed by Bille Woodruff and starring Sharon Leal.