Film noir’s feline stars: The Siamese cat in ‘Hangover Square’

More on the most famous kitties in film noir

The Cat in “Hangover Square” 1945

Name: Clawdette Montgomery

Character Name: Amaretto Sourpuss

Clawdette Montgomery led a very different offscreen existence from her character in "Hangover Square."

Bio: With all their scheming and double dealing, femmes fatales occasionally need a helping hand. Well, make that helping paw. A case in point is singer Netta Longdon (Linda Darnell) in “Hangover Square,” directed by John Brahm.

Netta has a lot going on, trying to get noticed in the competitive field of 1900s London music halls. To advance her career, she calls on the talents of composer George Harvey Bone (Laird Cregar).

Turns out, George is a pretty good cat-sitter too. So Netta relies on him to help her multi-task, ie George can stay home and have a cozy cocktail with high-strung and quick-to-claw Amaretto Sourpuss (Clawdette Montgomery) while ambitious and quick-to-claw Netta tackles the tasks of singing, schmoozing and staying out all night. Unfortunately, George has a tenuous relationship with reality and eventually both Netta and her feline counterpart succumb to George’s madness.

Offscreen, however, Clawdette Montgomery led an entirely different, and joy-filled, existence. Born to a wealthy litter in Siam, Clawdette’s parents saw that she and her twin sister Laurette traveled the world and enjoyed an unusually cosmopolitan upbringing. As an adult cat, Clawdette dabbled in acting, art collecting, philanthropy and yoga. In her third life, she invented her own form of yoga, Furvasana, which took the radical approach of resting in child’s pose for the entire session.

Though extremely popular with other felines and enlightened humans, Furvasana never gained widespread acceptance in the world of mainstream, Westernized yoga. Nevertheless, Clawdette’s teaching philosophy was respected and revered abroad. And secretly many Hollywood stars sought private consultations so that they might emulate her inner peace and calm.

Image from http://catsinsinks.com

Film noir’s feline fatales, tough tom cats: A new feature

Of the many visual symbols in film noir, the cat is one of the most elegant and expressive. Sitting in a doorway, watching and waiting, or sprawled contentedly on a chaise longue, these haughty creatures convey the quintessential femme fatale attitude: “If I deign to take you on, I’ll win.”
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Cats are smart, nimble and fastidious. They spend hours grooming themselves and, unlike dogs, they have no work ethic. Enough said. In between doting on my cat, I’ve done a little research so I can start a new feature on the most famous kitties in film noir.
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The Cats in “This Gun for Hire” 1942
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Names: Fluffy Taylor and Tab Burton
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Character Names: The Stray, Toughie

The happy Hollywood couple

Bios: “Cats bring you luck,” says Philip Raven (Alan Ladd) in 1942’s “This Gun for Hire.” Raven’s first good-luck charm is The Stray (Fluffy Taylor), a petite, violet-eyed beauty, who wanders through his window first thing in the morning. Despite being a cold-hearted hitman, Raven gives her milk and protects her from the nasty maid, Anna (Pamela Blake).

The second “charm” is a tomcat named Toughie (Tab Burton). But Toughie doesn’t fare as well as The Stray. Philip Raven happens to be a psychopath and he turns on Toughie in a deadly betrayal. Well, maybe the name Raven didn’t bode too well for feline friendship. (Off screen, however, Burton and Ladd were great chums. It was Ladd’s first major movie role and he welcomed Burton’s advice on acting.)
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And contrary to some accounts, the feline stars of “This Gun for Hire” never once had a catfight on the set. Just the opposite: While working together on this film, British imports Taylor and Burton fell madly in love. Seven years Burton’s junior, Taylor had been an established star in England since kittenhood.
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Burton was born in Wales and studied acting at Oxford University. Following their U.S. debut in “This Gun for Hire,” the pair soon became the “it” couple among Hollywood’s feline set, co-starring in “Catopatra,” “The Taming of the Mew” and “Who’s Afraid of Virginia Puss?” They were also known for their lavish, jet-set, cream-and-catnip lifestyle.
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They married in 1945, divorced in 1955, remarried in 1957 and divorced for a second time in 1962. After they finally parted, Burton’s career faltered and he passed away in 1964. When Burton died, the ever-popular Taylor referred to him as “the love of my life and my very best friend.”
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As their close friend Morris once said of them: “He gave her class. She gave him sex.” And they gave each other Fancy Feast Salmon.
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