Film noir events crowd the calendar this month

There is much to entice noiristas this month in Los Angeles and elsewhere. So much, in fact, that I’ve compiled this handy list.

Glenn Ford and Gloria Grahame star in "The Big Heat."

Glenn Ford and Gloria Grahame star in “The Big Heat.”

Tues., Oct. 8 @ 1 p.m.: “The Big Heat” (1953, Fritz Lang) plays on the big screen at the Bing Theater, Los Angeles County Museum of Art (LACMA), 5905 Wilshire Blvd., Los Angeles, CA 90036.

Additionally, “The Golden Age of Mexican Cinema,” featuring the work of cinematographer Gabriel Figueroa, runs at LACMA through Oct. 11. “Luis Buñuel and Gabriel Figueroa: A Surreal Alliance” runs Oct. 12-19.

Wed., Oct. 9 @ 7:30 p.m.: Writers Bloc hosts a conversation with Valerie Plame, memoir author and former CIA Operations Officer. At the Ann and Jerry Moss Theater at New Roads School, 3131 Olympic Blvd., Santa Monica, CA 90404.

Also starting Oct. 9: The Aero and Egyptian theaters host the inaugural Beyond Fest, “an international buffet of badass cinema” that showcases recent horror gems along with classics. In-person guests, live music. Beyond Fest runs through Oct. 31.

Thurs., Oct. 10: The 49th Chicago International Film Festival opens with a gala screening of “The Immigrant.” This year’s fest is dedicated to the late great Roger Ebert. The CIFF runs through Oct. 24. The fest’s After Dark slate of titles never fails to intrigue.

"Sunset Blvd." will screen Oct. 19.

“Sunset Blvd.” will screen Oct. 19 at the Egyptian Theatre in Hollywood.

Sat., Oct. 12 @ 6 p.m.: Redcat in downtown LA hosts a panel discussion on the controversial French filmmaker Henri-Georges Clouzot and his contribution to 1960s aesthetics. Screening of “La Vérité” (1960 Oscar nominee and Golden Globe winner for Best Foreign Language Film).

Sat., Oct. 12 & Sun. Oct. 13: The Vintage Fashion Expo premieres at its new home in Los Angeles at The LA Convention Center.

Thurs., Oct. 17 @ 7:30 p.m.: Writers Bloc hosts a conversation with Norwegian author Jo Nesbø (“Headhunters”) whose new novel is Police: A Harry Hole Novel. At the Goethe-Institut, 5750 Wilshire Blvd., Los Angeles, CA 90036.

“Moonrise” plays Oct. 21 at the Billy Wilder Theater at UCLA in Westwood.

“Moonrise” plays Oct. 21 at the Billy Wilder Theater at UCLA in Westwood.

Sat., Oct. 19 @ 2 p.m.: Illustrated presentation on “The Corner” and screening of “Sunset Blvd.” (1950, Billy Wilder) at the Egyptian Theatre (part of the Egyptian’s 91st anniversary weekend). Los Angeles historian Marc Chevalier will discuss the social nexus of Hollywood in the golden age: Sunset Boulevard and Crescent Heights (now West Hollywood). Followed by “Sunset Blvd.,” which features Schwab’s Pharmacy as a location.

Mon., Oct. 21 @ 7:30 p.m.: “Moonrise” (1948, Frank Borzage) at the Billy Wilder Theater at UCLA in Westwood. A luminous and rarely screened crime drama starring Dane Clark, Gail Russell and Ethel Barrymore.

Tues., Oct. 22 @ 1 p.m.: “Shockproof” (1949, Douglas Sirk) plays at LACMA’s Bing Theater. Written by Helen Deutsch and Samuel Fuller; starring Cornel Wilde and Patricia Knight.

Alfred Hitchcock by the numbers

This terrific chart appeared in The Guardian in August; copyright Adam Frost and Zhenia Vasilev.

hitch_10 copy4

Stylish sleeper ‘I Wake Up Screaming’ deserves a little love

IWUS 1I Wake Up Screaming/1941/Twentieth Century-Fox/82 min.

In the Neglected Works of Noir department, “I Wake Up Screaming” from 1941 is just crying out for attention.

Director H. Bruce Humberstone made a fun and taut whodunit that’s also a treat for the eyes. The film stars Betty Grable (singer, dancer and pin-up legend in her first dramatic role) and Carole Landis as sisters Jill and Vicky Lynn, who quickly shed their homespun sensibilities as they fend for themselves in New York City, Jill working as a stenographer and Vicky waiting tables.

IWUS 2Naturally, it’s only a matter of time before the fine-boned fair-haired creatures are discovered. Vicky’s in the spotlight first after PR guru Frankie “Botticelli” Christopher (Victor Mature) stops into the diner one night with some friends and decides, as he puts it, to make her The Next Big Thing. (At one point, Frankie asks how expensive she is; she replies he couldn’t afford her. To circumvent censors, that risqué line was reportedly added while shooting.)

Frankie’s pals Jerry (William Gargan), Robin (Alan Mowbray) and Larry (Allyn Joslyn) also jockey for her attention and lend their support to her quest to be a model/actress. But, just as she’s about to jet off to Hollywood for a screen test, Vicky is murdered, and all her pals are under suspicion as is the creepy clerk at her apartment building, Harry, played by noir great Elisha Cook Jr.

Laird Cregar spent time with cops to lend realism to his role.

Laird Cregar spent time with cops to lend realism to his role.

Matching Cook’s seediness is hefty Police Insp. Ed Cornell (Laird Cregar). Cregar caught critics’ attention with his dark, skulking, mysterious presence; his name is probably a hat-tip to writer Cornell Woolrich.

Also, look out for “Black Mask,” the famous pulp magazine, for sale on a newsstand.

As the story unfolds, a romance develops between Frankie Christopher and Jill, and the movie proceeds at a nice clip, clocking in at 82 minutes. “I Wake Up Screaming” makes significant strides in noir style and technique, though it rarely gets credit for its achievements. One of the films that eclipsed it was director John Huston’s mightily famous “The Maltese Falcon,” also from 1941. A big-budget release from Warner Bros., the now classic movie is often cited as the first film noir.

IWUS 5“I Wake Up Screaming,” a much smaller project than “Falcon,” was the first film noir made at Twentieth Century-Fox. Humberstone incorporated arresting compositions and lighting – note the dramatic, single-source lighting in the police interrogation room scenes. The scene in which Cornell pays Christopher a night-time visit virtually defines noir, with its exaggerated shadows, grim faces, a black cat and a neon sign in the distance. Edward Cronjager was director of photography. Noir czar and author Eddie Muller points out in his excellent DVD commentary that, in visual terms, “The Maltese Falcon” is pedestrian compared with the creativity in “I Wake Up Screaming.”

Additionally, scriptwriter Dwight Taylor conceived the story as a series of flashbacks – a hallmark of film noir storytelling – though Steve Fisher’s pulpy novel is not structured that way. And, long before it became common for actors, Cregar hung out with L.A. police to lend realism to his performance. The score is interesting too – featuring “Over the Rainbow” as well as “Manhattan Street Scene,” which was also used in “The Dark Corner.” (“I Wake Up Screaming” was remade in 1953 as “Vicki,” starring Jeanne Crain, Jean Peters and Elliott Reid; it was directed by Harry Horner.)

"I Wake Up Screaming" is visually spectacular.

“I Wake Up Screaming” is visually spectacular.

So why did “Screaming” get such short shrift? Well, it wasn’t a prestige picture and, while Humberstone made the best of this low-budget B movie, it’s tough to compete with John Huston, one of Hollywood’s finest talents ever. Also, “I Wake Up Screaming” contains a generous dollop of fluffy romantic comedy, which pairs a bit uneasily with the sly, wry humor and cynical entanglements of film noir at its grittiest. Btw, I love the scene where Frankie and Jill take a dip in a public pool – both flaunting their great shape, of course – Frankie puffing away merrily on a cigarette.

I don’t think I’m spoiling anything by saying that “I Wake Up Screaming” has a happy ending. Sadly, though, two of its actors died not long after the movie was released. In 1944, Cregar’s promising career was cut short at age 30 when the Philly-born actor had a heart attack, likely spurred by crash dieting for a part. Four years later, Wisconsin native Carole Landis, 29, died of a drug overdose. Her career had dead-ended and she was in bad shape, having been dismissed by the industry as a pretty airhead.

Unfortunately, that’s a story that’s been told and retold in Hollywood.

Film noir delights in the Golden Age of Mexican Cinema

"Another Dawn" will play Saturday night at the LA County Museum of Art.

“Another Dawn” will play Saturday night at the LA County Museum of Art.

I am greatly looking forward to seeing the LA County Museum of Art (LACMA) exhibition and film program Under the Mexican Sky: Gabriel Figueroa—Art and Film.

Mexico was home to a vibrant, commercially stable film industry in the early 1930s through the 1950s. The Golden Age of Mexican Cinema series will explore Figueroa’s contributions as a groundbreaking cinematographer, a master of light and contrast.

Figueroa spent time on the set of Soviet master Sergei Eisenstein’s “¡Que Viva México!,” had an apprenticeship with Hollywood cinematographer Gregg Toland, and was friends with painters such as Diego Rivera. (The series is co-presented by the Academy of Motion Pictures Arts and Sciences.)

"Autumn Days" will screen first on Saturday.

“Autumn Days” will screen first on Saturday night.

This weekend, two film noir delights are screening: “Dias de Otoño” (Autumn Days, 1963, Roberto Gavaldón) and “Distinto Amanecer” (Another Dawn, 1941, Julio Bracho). You can read the museum’s synopses here.

Upcoming film series will highlight Figueroa’s work with Spanish surrealist Luis Buñuel, the Hollywood films that the cinematographer shot over his 50-year career for directors such as John Huston and John Ford, the films of the early 1930s that spurred Figueroa, and contemporary Mexican filmmakers whose work invokes Figueroa’s legacy.

Meanwhile, the New York Film Festival opened today with “Captain Phillips.” Manohla Dargis of the New York Times gives her assessment here.

 

‘Chinatown’ screens to mark aqueduct’s 100th anniversary

Chinatown posterThe Natural History Museum in downtown Los Angeles will mark the 100th anniversary of the Los Angeles Aqueduct by hosting a screening of the neo-noir masterpiece “Chinatown,” directed by Roman Polanski and written by Robert Towne. Doors open at 6 p.m. Friday, Sept. 27; the screening starts at 7 p.m.

David Ulin, book critic of the Los Angeles Times, will moderate a brief panel discussion with history professor William Deverell, cultural commentator Sandra Tsing Loh and Christine Mulholland. They will discuss the facts and fiction in Polanski and Towne’s iconic look at greed, power, lust and the rise of modern Los Angeles. This event is free, but space is limited. RSVP HERE. Use the Exposition entrance. You can bring a picnic or buy dinner from on-site food trucks.

We love this film so much we reviewed it twice: FNB’s review and Mike Wilmington’s review.

Film Noir Blonde’s beauty picks for fall 2013

Guerlain's 2013 collection clearly channels film noir. Love the berry-colored lips and nails.

Guerlain’s 2013 collection clearly channels film noir. Love the berry-colored lips and nails.

Try pairing a half-moon manicure in this sumptuous shade with nude polish on the toenails.

Try pairing a half-moon manicure in this sumptuous shade with nude polish on the toenails.

Bond No. 9's latest New York City swoon: Perfumista Avenue.

Bond No. 9’s latest New York City swoon: Perfumista Avenue.

Designer Tory Burch said her mother's vanity table inspired her new fragrance and beauty collection.

Designer Tory Burch said her mother’s vanity table inspired her new fragrance and beauty collection.

Phylia de M, a hair restorer/thickener, is receiving rave reviews.

Phylia de M, a hair restorer/thickener, is receiving rave reviews.

Kate Winslet for Lancome is inspiration for any femme fatale.

Kate Winslet for Lancome is inspiration for any femme fatale.

Add a pop of bright color to emphasize your eyes with Lancome's Art Liner 24H.

Add a pop of bright color to emphasize your eyes with Lancome’s Art Liner 24H.

After a five-year hiatus, Jo Malone is back with Jo Loves. Gift-buying dilemma now over.

After a five-year hiatus, fragrance guru and former florist’s apprentice Jo Malone is back with Jo Loves. Gift-buying dilemma now over.

Dior first introduced Dior #9 in 1953. This classic red was recently relaunched as #999.

Christian Dior first introduced Dior #9 lipstick in 1953. This classic red was recently relaunched as #999.

Dior's New Look photographed for Vogue.

Dior’s New Look photographed by Serge Balkin for Vogue.

Chanel's gorgeous Cast a Spell collection is new this fall.

Chanel’s gorgeous Cast a Spell collection is new this fall.

When Marilyn Monroe was asked what she wore to bed, her answer was Chanel No. 5.

When reporters asked Marilyn Monroe what she wore to bed, her answer was Chanel No. 5.

Looking forward to a spritz of Estée Lauder's Modern Muse and, I hope, a surge of creativity. ;)

Looking forward to a spritz of Estée Lauder’s Modern Muse.

Since the '90s, Lorraine Massey has been helping those with hard-to-tame tresses embrace their inner curl. But her products are new to Space NK in Brentwood. Cheers, Lorraine!

Since the ’90s, Lorraine Massey has been helping those with hard-to-tame tresses embrace their inner curl. But her products are new to Space NK in Brentwood. Cheers, Lorraine!

The nice girls at Space NK in Brentwood recommended Life Daily Fix Foot Cream to heal my dry cracked heels. Perfect for a post-yoga slather. Take that, Warrior 3 and Reverse Half Moon!

The nice girls at Space NK in Brentwood recommended Life Daily Fix Foot Cream to heal my dry and cracked heels. Perfect for a post-yoga slather. Take that, Warrior 3 and Reverse Half Moon!

Lipstick Queen founder Poppy King says she had vintage Hollywood in mind when she created her Velvet Rope lipstick collection. Shown here is Star System, a nude with A-list oomph.

Lipstick Queen founder Poppy King says she had vintage Hollywood in mind when she created her Velvet Rope lipstick collection. Shown here is Star System, a nude with A-list oomph.

Laura Mercier's Dark Spell Collection looks truly divine.

Laura Mercier’s Dark Spell Collection looks truly divine.

Hitchcockian thriller ‘Prisoners’ calls for multiple viewings

Jake Gyllenhaal and Hugh Jackman star in "Prisoners."

Jake Gyllenhaal and Hugh Jackman star in “Prisoners.”

Prisoners/2013/Warner Bros./153 min.

Tense and absorbing, “Prisoners” ranks as a solid three-star flick. When two 6-year-old girls go missing, one of the fathers – a carpenter and hunter named Keller Dover (Hugh Jackman) – quickly reveals himself to be a brutal vigilante, intent on beating information out of a mentally disabled man brought in for questioning and then released (Paul Dano).

Jake Gyllenhaal, as the obsessive cop assigned to the case, pursues another suspect and eventually Jackman chases yet another – all of the suspects, we learn, share a shattering connection. Terrence Howard, Viola Davis, Maria Bello and Melissa Leo round out the cast. Aaron Guzikowski wrote the screenplay.

Québec-born director Denis Villeneuve thoughtfully tells a complex, Hitchcockian tale and elicits memorable performances from the cast, especially from Gyllenhaal (perhaps his best work since “Zodiac.”)

On the downside, there are some rather drafty plot holes, the pacing is slightly off and, while Jackman is very watchable, the script’s characterization of Keller Dover proves more facile than fascinating. Still, it’s engrossing enough that you might feel like watching it twice to catch all the clues. And the ending is superb.

On the big screen: Style doc ‘Mademoiselle C’ and three neo-noir titles: ‘A Single Shot,’ ‘Prisoners, ‘The Family’

Mademoiselle CMademoiselle C/90 min.

In defense of full-on glamour, Joan Crawford once said, “If you want to see the girl next door, go next door.”

Fashion insider Carine Roitfeld, the subject of a new documentary called “Mademoiselle C,” echoes that view and takes it up a notch. Running French Vogue for 10 years, Roitfeld became known for her edgy “porno-chic” aesthetic.

After her Vogue gig ended, Roitfeld decided to launch her own mag in New York, CR Fashion Book, and the film chronicles this experience. Interestingly, unlike Crawford, Roitfeld has a tranquil home life, complete with adoring husband and two gorgeous, grown-up children.

Fashionistas will likely enjoy watching Roitfeld at work and seeing her rub elbows with celebs such as Tom Ford, Karl Lagerfeld and Diane Von Furstenberg. And Roitfeld exemplifies Parisian chic style, stateside. Director Fabien Constant’s touch is light and lively, though overall it feels quite superficial – a bit like browsing through Vogue, glancing at all the glossy pictures and skipping the stories.

“Mademoiselle C” opened Sept. 11 in New York and opens Sept. 20 in LA at Laemmle Music Hall in Beverly Hills.

A Single Shot posterA Single Shot/116 min.

John (Sam Rockwell) is backwoods/country guy trying to make ends meet and looking to patch things up with his estranged wife and son. It’s when he resorts to poaching that his troubles begin and he’s quickly caught in a noirish trap – there’s a big pile of cash, sleazy lowlifes aplenty and a dead body, natch.

Director David M. Rosenthal’s haunting visuals help create a moody atmosphere but the film is undercut by its draggy pace and characters who feel less than authentic, particularly John and his blasé reaction to his own pivotal act of violence. Matthew F. Jones wrote the novel and screenplay. William H. Macy, master of the unctuous interloper, wears a scary toupee and preposterous plaid to great effect. Opens Sept. 20 in New York and in LA at Laemmle’s NoHo 7 in North Hollywood.

Prisoners movie posterPrisoners/153 min.

“Prisoners” looks set to be one of the fall’s best offerings, especially with such a stellar cast: Hugh Jackman, Jake Gyllenhaal, Viola Davis, Melissa Leo, Maria Bello and Paul Dano. Québec-born Denis Villeneuve directs. Am seeing it this weekend and will come back soon to update. Opens Sept. 20.

The Family/111 min.

In case it’s not clear from the cloying ads and previews, “The Family,” should do everyone a favor and stay at home. Despite a strong cast (Robert De Niro, Michelle Pfeiffer, Tommy Lee Jones) who manage to eke out good performances, the film is weighed down by a weak script and a story that is both illogical and predictable.

This is a crime comedy? Really? Sadly, it’s just not funny. Snazzy camerawork eventually became distracting as did the trying-too-hard-to-be-cool score. I expected more from director Luc Besson. Opened Sept. 13.

Film noir poster bliss with actress Jeanne Carmen

A few weeks ago, I posted about Jeanne Carmen, a pin-up model, ace golfer, B-movie actress and friend of Marilyn Monroe. Jeanne’s son Brandon James has kindly shared these images from her work in film noir and in the Western genre. She appears on posters for all three movies.

Portland posterPortland Exposé” (1957, Harold D. Schuster) based on a true story of a mob syndicate in Portland, Ore. You can watch scenes from the movie here.

Guns poster US

Guns poster BrazilGuns Don’t Argue” (1957, Richard C. Kahn, Bill Karn) was a compilation of a 1952 TV series released as a feature film. It’s true crime anthology of Pretty Boy Floyd, John Dillinger, Ma Barker and Bonnie & Clyde. In it, we see Jeanne Carmen as Floyd’s moll. You can watch scenes from the movie here.

Outlaws poster US

Outlaws poster Italy“The Three Outlaws” (1956, Sam Newfield) tells the story of Butch Cassidy and the Sundance Kid. Jeanne Carmen plays a temptress named Polimita. You can watch scenes from the movie here and here.
Monster posterAnd how could I resist running what is perhaps Jeanne Carmen’s most famous movie, “The Monster of Piedras Blancas” (1959, Irvin Berwick).

Highlights from the next Sunday with Hitch on TCM

Sundays with Hitch smaller sizeTCM’s monthlong celebration of the Master of Suspense, Alfred Hitchcock, and his stellar filmmaking continues on Sunday, Sept. 15.

Here’s what we at FNB are especially looking forward to. Must pop copious quantities of corn. Yum!

“The Man Who Knew Too Much” (1956)

Vertigo

“Rear Window”

“To Catch a Thief”

You can see the full schedule here.