Film noir screenings galore this month in Los Angeles

A new photo for FNB! By Halstan Williams, www.halstan.com

So looking forward to the dark this month! There are three great fests taking place in April.

“Criss Cross” is the first of many excellent film noir titles at the third annual TCM Classic Film Festival, which this year is celebrating style in the movies, from fashion to architecture and everything in between.

The festival runs Thursday through Sunday. “Criss Cross” screens at 10 p.m. Thursday and the Film Noir Foundation’s czar of noir Eddie Muller will introduce the film.

Other noirs include: “Raw Deal,” “Cry Danger,” “Vertigo,” “Chinatown,” “Fall Guy,” “Night and the City,” “Gun Crazy,” “Marathon Man,” “Seconds,” “To Catch a Thief” and “Black Sunday.”

Kim Novak is one of many Hollywood greats to attend the fest; check out the schedule for more info on events, interviews and discussions. (For a little comic relief from full-on noir fare, the always-entertaining Michael Schlesinger will introduce 1942’s “Who Done It,” in which Bud Abbott and Lou Costello play a pair of would-be writers posing as detectives.)

Starting Monday, April 16, is the 16th annual City of Lights City of Angels (COL•COA) film festival, which presents 34 French features and 21 shorts. Opening the fest is the North American premiere of “My Way” (“CloClo”), a biopic about French pop star Claude François. Directed by Florent-Emilio Siri, the film stars Jérémie Renier.

Closing the fest on Sunday, April 22, is a comedy called “The Intouchables,” by writer/directors Olivier Nakache and Eric Toledano. Starring François Cluzet and Omar Sy, “The Intouchables” is the third highest grossing film of all time in France.

Other titles of particular interest include: “Michel Petrucciani,” “38 Witnesses,” “Guilty,” “A Trip to the Moon”/“The Extraordinary Voyage,” “Step Up to the Plate,” “The Art of Love,” “Another Woman’s Life,” “Le Skylab,” “Call Me Savage,” Paris By Night,” “A Gang Story,” “Early One Morning,” “Hotel du Nord, “Americano, “Polisse” and “The Minister.”

Paris By Night,” “A Gang Story” and “Early One Morning are part of COL•COA’s film-noir series on Friday, April 20.

Femme fatale Gloria Grahame stars with Sterling Hayden in 1954’s “Naked Alibi,” the first film in the Hayden tribute. The second: “Suddenly,” 1954.

Friday, April 20, is also the opening night of Noir City: Hollywood, the 14th annual festival of film noir at the Egyptian Theatre, presented in collaboration with the Film Noir Foundation.

Opening night is an Alan Ladd double feature: “The Great Gatsby” and “This Gun for Hire.” The foundation’s Eddie Muller and fellow noir expert Alan K. Rode will introduce the movie.

The stellar lineup includes many rare films, several of which are not on DVD:

“Naked Alibi”/“Suddenly”
“Phantom Lady”/“Black Angel”/“The Window”
“T-Men”/“Strange Impersonation”
“Caged”/“Big House USA”
“Scene of the Crime”/“Reign of Terror”
“Slaughter on Tenth Avenue”/“Edge of the City”
“Johnny O’Clock/“Johnny Allegro”
“Shield for Murder”/“Private Hell 36”
“Okay, America”/“Afraid to Talk”
“The Maltese Falcon”/“City Streets”
“The Postman Always Rings Twice”
“Three Strangers”/“Nobody Lives Forever”
“Circumstantial Evidence”/“Sign of the Ram”
“Mary Ryan, Detective”/“Kid Glove Killer”

See you in the dark!

COL•COA French film fest in Los Angeles announces lineup

François Truffart announces the COL•COA program.

With five Oscar wins by “The Artist” still fresh in people’s minds, Los Angeles is gearing up to welcome more French film talent to the city. The City of Lights, City of Angels (COL•COA) festival, a week of French film premieres in Hollywood, runs April 16-23.

Last night, at the French Consulate in Beverly Hills, the Franco-American Cultural Fund announced the program for the fest, now in its 16th year.

“The historic triumph of ‘The Artist’ reflects a remarkable year for French cinema and we are glad to introduce a broad spectrum of new films to Hollywood that reveal both the quality and diversity of recent French productions,” said François Truffart, COL•COA executive director and artistic director.

COL•COA will feature 34 features and 21 shorts. It opens on Monday, April 16, with the North American premiere of “My Way” (“CloClo”), a biopic about French pop star Claude François, directed and co-written by Florent-Emilio Siri. The film, already a critical and commercial success in France, stars Jérémie Renier (“The Kid with a Bike”).

Closing the fest on Sunday, April 22, is a hit comedy called “The Intouchables” by writing/directing team Olivier Nakache and Eric Toledano. François Cluzet and Omar Sy star.

Of course I am most looking forward to the film noir series on Friday, April 20, which will include “Paris By Night” (“Une nuit”) by Philippe Lefebvre; Olivier Marchal’s “A Gang Story” (“Les Lyonnais”) and “Early One Morning” (“De bon matin”) from Jean-Marc Moutout.

More on the fest later; meanwhile be sure to check the COL•COA site and snag your tickets – they will sell quickly!

Another realistic gem from Belgium’s Dardenne brothers

The Kid with a Bike/2011/IFC/87 min.

Both a fiercely realistic crime drama and a tender, unsentimental, story of maternal love, “The Kid with a Bike” by Jean-Pierre and Luc Dardenne is one of the best films I’ve seen in years.

Ex-documentarians known for their realism and compassion for troubled characters – “The Promise” (1996), “Rosetta” (1999), “The Son” (2002), “The Child” (2005), “Lorna’s Silence” (2008) – the Dardenne brothers won the Cannes Film Festival’s Grand Jury prize for their latest work.

Watching “Kid,” set in Belgium’s Meuse valley, we meet Cyril (Thomas Doret), a restless, stubborn and intense 11-year-old boy, whose coldly negligent father Guy (Jérémie Renier) has placed him in a group home for children. Sure that this situation is temporary, Cyril figures that if he can leave the home and recover his bike, he’ll be able to reconnect with his father. His search plays a bit like a detective story as he tracks down the bike and his dad, only to be sent back to the home.

Shortly after this setback, Cyril randomly clings to a woman named Samantha (Cécile de France) and she is moved to try to help him, allowing him to leave the home on weekends to stay with her. Though Samantha is patient and generous, the boy’s craving for his father’s affection and a budding friendship with a neighborhood gang leader (chillingly played by Egon Di Mateo) gets Cyril into trouble, the repercussions of which could change the course of his life.

The film masterfully blends moods and genres – domestic drama, crime movie and fantasy. Says Jean-Pierre Dardenne: “We wanted to construct the film as a kind of fairy tale with baddies who make the boy lose his illusions, and Samantha, who appears as a kind of fairy.”

Poignant performances – newcomer Doret is a natural – assured direction, restrained writing and arresting use of music make “The Kid with a Bike” an exceptional cinematic achievement.

“The Kid with a Bike” opens today in LA and New York.