On the radar: a new Marilyn book, Met show, ‘Bernie’ bound

There will surely be much fanfare to mark the 50th anniversary of Marilyn Monroe’s death, Aug. 5, 1962. For starters, there’s a new book, “Marilyn by Magnum” (Prestel Publishing, $29.95). The Magnum photographic cooperative was founded in 1947 by Robert Capa, Henri Cartier-Bresson, George Rodger and David “Chim” Seymour.

In the book, we see the work of Cartier-Bresson, Elliott Erwitt, Eve Arnold, Inge Morath, Philippe Halsman, Bruce Davidson, Dennis Stock, Bob Henriques, Erich Hartmann and others.

The images range from glamorous portraits to intimate candids to Marilyn working on movies. Says Magnum: “In richly toned black and white as well as lustrous color, these photographs reveal Marilyn’s uncanny ease in front of the camera.”

Marilyn Monroe, 1952. By Philippe Halsman; copyright Philippe Halsman/Magnum Photos

 

Marilyn in her apartment, 1952. The photo on the desk is of Italian actress Eleonora Duse, whom Marilyn admired. Copyright Philippe Halsman/Magnum Photos

Yves Montand, Simone Signoret, Marilyn Monroe and Arthur Miller in Hollywood, Calif., 1960. Photo by Bruce Davidson; copyright Bruce Davidson/Magnum Photos

Talking shop: The Met’s Spring 2012 Costume Institute exhibition, Schiaparelli and Prada: Impossible Conversations, explores the striking affinities between Elsa Schiaparelli and Miuccia Prada, two Italian designers from different eras. Baz Luhrmann directed videos of simulated conversations between Schiaparelli and Prada.

Screenworthy: Richard Linklater’s black comedy “Bernie,” starring Jack Black, Shirley MacLaine and Matthew McConaughey, looks well worth seeing. I missed screenings because of all the festivals in town but am hoping to catch it asap.

Sunnyside Upton: Kate Upton goes retro glam with an Old-Hollywood inspired photo shoot at the Beverly Hills Hotel in this month’s Harper’s Bazaar.

Prada plays with old-school influences at Paris Fashion Week

Loved Miuccia Prada’s update of vintage Hollywood style – fur stoles, flashy pumps, ankle straps and sassy sunglasses – at Paris Fashion Week.

The New York TimesCathy Horyn described it this way:

Miuccia Prada provided a strong if surprising close to the Paris shows on Wednesday, with a Miu Miu collection based on glamour from the 1930s and early ’40s. That meant delicate crepe dresses embroidered with lilies of the valley and pinched with tiny pleats at the front, wide-shouldered jackets and fur-trimmed coats. Other dresses and skirts, in crepe, had cummerbund effects in contrasting tones.

At times I felt that I was in a Bette Davis movie – Charlotte Vale alighting a gangplank but now in sparkly yellow pumps. Other collections, notably Balenciaga, had a ’30s undercurrent, but the influence at Miu Miu was pronounced.

Read her full report at http://nyti.ms/i6Vwt7.