Grahame, Hayden, Sinatra: Highlights of Noir City Hollywood

April 23, 2012 by

I finally got to see Gloria Grahame vamping it up in “Naked Alibi” (1954) on Saturday night at the American Cinematheque’s Noir City Hollywood film fest, now in its 14th year. Grahame is one of my fave femme fatales and this film is hard to find, let alone see on the big screen – the new 35 mm print was introduced by fest organizers and noir experts Eddie Muller and Alan K. Rode.

Gloria Grahame in “Naked Alibi”

Co-starring Gene Barry as Grahame’s gangster boyfriend and Sterling Hayden as a vigilante cop, “Naked” certainly has a great cast and a great name. Unfortunately, though, Jerry Hopper is not a great or even a good director. This film reminds of me Grahame playing similar roles in far better movies (“The Big Heat,” “Human Desire,” “In a Lonely Place,” “Sudden Fear”). Still, I always have a good time watching this ultimate good-time girl.

As part of a tribute night to Hayden, “Naked” was paired with 1954’s “Suddenly,” in which Hayden plays a sheriff opposite Frank Sinatra as a psycho leading a plot to assassinate the president. Directed by Lewis Allen and written by Richard Sale, “Suddenly” has been hard to see until now because Sinatra did his best to buy all copies of this film after John F. Kennedy’s death. This digital restoration by Lobster Films featured crisp contrast, though there were many patches of white that looked iridescent. (Apparently, this was a problem with the projection, not the print.) It’s interesting as a B-movie rarity with Hayden letting a malevolent Sinatra steal the show.

The fest continues through May 6 at the Egyptian Theatre in Hollywood.

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Noir City X film fest starts Friday in San Francisco

January 18, 2012 by

The Film Noir Foundation celebrates 10 years of deliciously dark programming with NOIR CITY X: The Stuff Bad Dreams Are Made Of. The 10-day festival features a Dashiell Hammett marathon, freshly preserved 35mm rarities, by-popular-demand encore screenings, and special guest star Angie Dickinson. The fest runs Jan. 20-29 at the Castro Theatre in San Francisco.

Among the rarities NOIR CITY is presenting this year is a new 35mm print from Universal Pictures of 1949’s “The Great Gatsby,” starring Alan Ladd as F. Scott Fitzgerald’s legendary hero. Universal is also providing a new 35mm print of 1954’s “Naked Alibi,” starring noir’s favorite bad girl, Gloria Grahame. Also on the bill are preservations of the 1946 classic “Three Strangers” and 1950’s “The Breaking Point,” directed by Michael Curtiz and starring John Garfield.

After San Francisco, the fest will travel to other cities with variations on the programming.

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FNB proclaims Gloria Grahame Day: July 13

July 12, 2011 by

Lately I find myself compulsively watching “Sudden Fear” from 1952 starring Joan Crawford, Jack Palance and Gloria Grahame. It’s on as I write, in fact.

Directed by David Miller, the movie has a lot going for it (regular readers know I adore Joan Crawford) but at the top of the list is Grahame, playing a femme fatale nonpareil who’s also rather skilled at mingling in high society.

Gloria Grahame shined in ’50s noir classics.

With her feline face, flirty smile and hour-glass figure, Grahame was a stalwart of film noir. Besides “Sudden Fear,” she was in “Crossfire” (1947, Edward Dmytryk), “In a Lonely Place” (1950, Nicholas Ray), “Macao” (1952, Josef von Sternberg), “The Big Heat” (1953, Fritz Lang), “Human Desire” (1954, Fritz Lang), “Naked Alibi” (1954, Jerry Hopper) and “Odds Against Tomorrow” (1959, Robert Wise).

Commenting on her seductive powers, she once said, “It wasn’t the way I looked at a man, it was the thought behind it.” (Though she often played the bad girl, she was a Los Angeles native from a comfortable family.)

She had acting chops, too, winning a Best Supporting Actress Oscar for her part in “The Bad and the Beautiful” (1952, Vincente Minnelli). Her breakthrough role was Violet Bick in “It’s a Wonderful Life” (1947, Frank Capra).

Her career faltered, though, when on “Oklahoma” (1955, Fred Zinnemann) she acquired a reputation as being difficult to work with. Her big number in the Rodgers and Hammerstein musical is “I’m Just a Girl Who Can’t Say No.” Natch. Also harmful to her public image was the fact that in 1960 she married Anthony Ray, her former stepson from her marriage (1948-1952) to director Nicholas Ray. Nonetheless, she worked on the stage, in TV and occasionally in films until she died at 57 in 1981. She was married four times and had four children.

So, because I can, I am declaring July 13 Gloria Grahame Day on FNB and will be posting reviews of her noir classics in the coming weeks. (If you are in LA, try to catch “In a Lonely Place” at LACMA on Friday, July 22.)

OK, time to restart “Sudden Fear” and break it to my friend – who stopped by tonight, took one look at the alluring Grahame and asked if he could get a date with her – that request, alas, will have to remain in the realm of fantasy. Ah, men and their fantasies; it’s a kingdom Grahame ruled perhaps not wisely but well.

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