Femmes Noirs series hits NYC’s Film Forum

“Postman” kicks off the Femmes Noirs series this weekend in NYC.

“Postman” kicks off the Femmes Noirs series this weekend in NYC.

I’ll go to Manhattan at the drop of a hat. And my stylish chapeau is now officially earthbound because there’s a three-week Femmes Noirs series running at Film Forum! Yes, my silver-screen sisters in crime are radiating duplicity and depravity in classic flicks, programmed by Bruce Goldstein, through Aug. 7.

Titles include: “The Postman Always Rings Twice,” “Mildred Pierce,” “Leave Her to Heaven,” “Out of the Past,” “Pandora’s Box,” “Niagara,” “Angel Face” “The Killers,” “Gilda,” “The Lady from Shanghai,” “Scarlet Street,” “Murder, My Sweet,” “The Maltese Falcon,” “Kiss Me Deadly,” “The Killing,” “Gun Crazy,” “Detour,” “Dead Reckoning,” “Pitfall,” “Sudden Fear,” “Tension,” “Body Heat,” “Fatal Attraction,” “The Strange Love of Martha Ivers,” “Too Late for Tears” and the prototype for the genre, “Double Indemnity.”

It pains me to write this list and think I might miss some of these! And, to top it off, the forum’s neighboring restaurant, Clarkson, is offering a complimentary Manhattan Noir cocktail when patrons present a ticket stub. And here I am left to rough it in LA, sipping champagne poolside. But maybe I can finagle a way to head east on someone else’s dime or lure Goldstein to LA for a second run of the series. There is of course one major omission in the forum’s lineup: the irredeemably bad Jean Gillie in “Decoy.” As Leonard Maltin put it: She makes Barbara Stanwyck’s character in “Double Indemnity” look like Snow White.”

Ernst Haas exhibition opens Saturday in Santa Monica

Route 66, Albuquerque, New Mexico, 1969

The Duncan Miller Gallery presents the first major Los Angeles showing of the works of Ernst Haas in “Classics,” a selection of his well-known prints along with more experimental color work he never exhibited.

Haas (1921-1986) was one of the 20th century’s most prolific and published photographers. Born in Vienna, Haas began as a painter before switching to photography. In 1953, he moved to New York and Life magazine published his 24-page color-photo essay on New York City. The Museum of Modern Art in New York gave Haas a one-man show in 1962; it was the museum’s first color-photography show, according to the Duncan Miller Gallery.

The opening reception is on Saturday, June 23, from 6-9 p.m. The show runs through Aug. 31.

The Duncan Miller Gallery is at 2525 Michigan Ave, Unit A7, Santa Monica, CA 90404, 310-453-1111. Hours: Wednesday-Saturday, 11-6.