Dark dramas shine at Chicago International Film Festival

Dark domestic dramas led the fine slate of high-style movies at the 47th Chicago International Film Festival, which boasted a lineup of nearly 200 titles.

In “We Need to Talk About Kevin” (UK) by Lynne Ramsay, neo noir meets New Age parenting in a haunting thriller. We witness, in jagged pieces that jump back and forth in time, the unthinkably brutal rupture of a dysfunctional but not entirely unhappy family.

Creating buzz at many fests, Tilda Swinton will doubtless continue to earn acclaim for her wrenching portrait of a mother struggling to love her son Kevin (Ezra Miller) who comes into the world seething with anger. Chicago-born John C. Reilly plays her denial-prone husband. Rich with visual metaphor and captivating performances (though the script is not fully there), this is destined to be a neo-noir classic. (“We Need to Talk About Kevin” does not release in the US until February.)

Samuli Niittymaki

I doubt Finnish director Zaida Bergroth had “Mildred Pierce” in mind when she made “The Good Son,” which won the top prize in the new directors competition. But I kept thinking of Michael Curtiz’s 1945 classic starring Joan Crawford as a flawed single mother of two daughters, the elder of whom is a bit of a snake, as I watched Elina Knihtila portray Leila, a flawed single mother of two sons, the elder of whom (Samuli Niittymaki as Illmari), is a bit of a psycho.

Eero Aho plays Leila’s new love interest, a kindly writer named Aimo. Anna Paavilainen is excellent as Illmari’s girlfriend as is Eetu Julin as Unto, the younger brother. Arresting images, subtle acting, nicely paced.

Arguably, “A Dangerous Method” (Germany/Canada) by David Cronenberg could be classified as a domestic drama, dealing as it does with the long-term adulterous relationship between renowned Swiss psychiatrist Carl Jung (Michael Fassbender) and a patient-turned-student-of-psychoanalysis Sabina Spielrein (Keira Knightley). Viggo Mortensen is Sigmund Freud; Sarah Gadon is Jung’s wife. This finely crafted film is already generating Oscar buzz.

“Martha Marcy May Marlene” (US) is the kind of film that leaves you reeling, then lodges in your mind for days. Elizabeth Olsen (sister of Ashley and Mary Kate) stars as a young woman who escapes from an evil cult and struggles to reconnect with her estranged sister (Sarah Paulson) and her new brother-in-law (Hugh Dancy). Writer/director Sean Durkin’s fragmented narrative swerves from past to present; the tension mounts masterfully to a claustrophobic level. Thoroughly mesmerizing, but as much as I admired Olsen’s presence and vulnerability (she may be an Oscar contender), I felt no sympathy for her character. John Hawkes (of “Winter’s Bone”) is unforgettable as the warped cult leader.

English actor Dexter Fletcher makes an impressive directorial debut with “Wild Bill.” Though the story is essentially rooted in cliché, the fresh writing and powerful acting inject vitality into this tale of an ex-con (Charlie Creed-Miles) reconnecting with his young sons (Will Poulter and Sammy Williams) in London’s East End.

A desire for a father-daughter reunion drives the ex-con (Mark Pellegrino) in “Joint Body” by Brian Jun. But he gets sidetracked when he meets a stripper (Alicia Witt) in a seedy residential motel in downstate Illinois and the two end up on the run. (The term joint body refers to a convict who works out and walks the walk with confidence.)

Too melodramatic to be a real thriller, Thierry Klifa’s “His Mother’s Eyes/Les Yeux de Sa Mère,” (France) about a writer’s plan to ingratiate himself into a fractured family, is still intelligent, engrossing and features an easy-on-the-eyes cast, which includes ever-lovely Catherine Deneuve, Nicolas Duvauchelle, Géraldine Pailhas and Jean-Baptiste Lafarge.

And though definitely not a noir, the festival’s grand-prize winner, “Le Havre” (Finland/France) by Aki Kaurismaki, recounts the forming of a temporary, makeshift family. A working class French man (André Wilms) befriends and protects an African boy (Blondin Miguel) who lands illegally in Le Havre on the way to reuniting with his mother in London. Lit and composed like an Old Master painting, Kaurismaki’s film brims with humanity and humor.

Tomorrow: More about movies at the festival

COL•COA Festival offers first-rate lineup, mais oui!

Tickets are going fast for the 15th annual City of Lights, City of Angels (COL•COA) Film Festival that runs today through April 18 in Los Angeles.
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In addition to 26 shorts, the festival will present 34 features, including several premieres. “The relationship between COL•COA and our audiences has evolved into a genuine love story over the last 15 years,” says Director and Programmer François Truffart. “We are thrilled that for this 15th anniversary year, we will bring an equally exclusive and high-profile lineup, keeping the passion for French cinema alive.”
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And Friday, April 15, is the film noir series featuring:
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At 5:45 p.m.: In “The Night Clerk” Vincent Rottiers plays Frédéric, a young man trying to return to society after his release from prison. He finds work in a mountain hotel owned by the bad-tempered Jacques (Jean-Pierre Bacri). Though Frédéric suspects Jacques may be involved in the mysterious disappearance of a hotel client, he remains silent to protect him. But police inspector Sylvie Poncet (Sylvie Testud) makes it harder and harder for Frédéric to keep quiet. Directed by Raphaël Jacoulot.

Romain Duris and Marina Foïs star in "The Big Picture."

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At 7:45 p.m.: “The Big Picture” stars Romain Duris as a successful lawyer who seems to lead an enviable life. When he learns his wife is having an affair, he accidentally kills her lover. His orderly life now in ruins, he assumes the dead man’s identity and flees to the former Yugoslavia. Supporting actors include Catherine Deneuve, Branka Katic and Niels Arestrup. Based on a novel by Douglas Kennedy; directed by Eric Lartigau.

At 10:15 p.m.: “The Long Falling” tells the story of a battered woman (Yolande Moreau) who kills her husband of 30 years, tries to reunite with her estranged son and ends up on the run. Based on a novel by Keith Ridgway; directed by Martin Provost.
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Other highlights include the following; see the site for details:
*CLASSIC REVIVAL: “Cold Cuts” (Bertrand Blier, 1977) With Gerard Depardieu, Bernard Blier, Jean Carmet. Classic black comedy about three inept murderers. Cast member Bernard Blier, a famous French actor, is director Bertrand Blier’s father.
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*CLASSIC REVIVAL: “Les Bonnes Femmes” (Claude Chabrol, 1960). With Bernadette Lafont, Stephane Audran and Claude Berri. Noir master Chabrol’s classic New Wave tale of four Parisian shopgirls and their lives and dreams.

Catherine Deneuve

*“His Mother’s Eyes,” a drama starring Catherine Deneuve as a celebrity news anchor and Nicolas Duvauchelle as a troubled young author who wants to write her unauthorized biography and seduces her estranged daughter (Géraldine Pailhas) as a means of gathering information. Directed by Thierry Klifa.
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*“The Clink of Ice,” Bertrand Blier’s new film; Blier will appear for discussion.
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*Also be sure to check out: New films by well-known French directors Claude Lelouch, Guillaume Cantet, Catherine Breillat, Cedric Klapisch, Nicole Garcia, Jean Becker and Benoit Jacquot.
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*To celebrate the announcement and recipients of the 2011 COL•COA awards, two of the winning films will be re-screened for free on Monday, April 18 at 7:30 p.m.
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All films are screened at the Directors Guild Theater Complex, 7920 Sunset Blvd., in Los Angeles (half a block west of Fairfax Avenue and two blocks east of Crescent Heights). Free parking is available at the Directors Guild. Enter on Hayworth Avenue.
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“The Big Picture” image from www.indiewire.com; Catherine Deneuve photo by Brigitte Lacombe, from www.altfg.com.
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