By the end of the TCM Classic Film Festival on Sunday night, we were bleary-eyed and decidedly not bushy-tailed. But we were blissed out on terrific movies!
In “Brief Encounter,” Celia Johnson and Trevor Howard are a proper pair who unexpectedly find true passion.
After starting off with “A Tree Grows in Brooklyn” (1945, Elia Kazan), we would not have passed up the chance to see David Lean’s brilliant 1945 love story “Brief Encounter,” starring Celia Johnson and Trevor Howard, on the big screen.
Friday began with 1955’s “Love Me or Leave Me,” directed by Charles Vidor and starring Doris Day as real-life torch singer Ruth Etting, married to a gangster, played by James Cagney.
“The Conversation” (1974, Francis Ford Coppola) captivated the audience and made us realize anew the subtle talent of Gene Hackman and Cindy Williams. The rarely seen film noir “Private Property” (1960, Leslie Stevens) was sordid, but in an entertaining way …
Angela Lansbury
And the highly anticipated screening of “The Manchurian Candidate” (1962, John Frankenheimer) was enthralling and chilling, especially in this election year. Alec Baldwin interviewed Angela Lansbury and she was a delight.
On Saturday, writer-director Billy Wilder’s “Ace in the Hole” (1951) starring Kirk Douglas was the ideal preface to 1982’s noir spoof “Dead Men Don’t Wear Plaid” starring Steve Martin. Carl Reiner, who wrote and directed “Dead Men,” was interviewed after the movie. Hilarious! And smutty, just as you’d expect.
Gina Lollobrigida
A rare treat was the interview with film legend Gina Lollobrigida at the showing of “Buona Sera, Mrs. Campbell” (1968, Melvin Frank).
And rivaling Reiner’s entertainment value was Elliott Gould, who appeared at “The Long Goodbye” (1973, Robert Altman). Gould nicely met the challenges of playing Raymond Chandler’s iconic detective Philip Marlowe. The French New Wave classic “Band of Outsiders” (1964, Jean-Luc Godard) ended a full day of fest-going.
All too soon, it seemed, it was Sunday and there was still more to see: “All That Heaven Allows” (1955, Douglas Sirk), “She Wore a Yellow Ribbon” (1949, John Ford) and “The Band Wagon” (1953, Vincente Minnelli). In attendance at the latter was director-choreographer Susan Stroman.
This year’s theme was Moving Pictures and the organizers were right. Kleenex was as essential as Coke and popcorn.
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